Wednesday, September 12, 2012

GARCILLANO VS. HOUSE OF REPRESENTATIVES GR 170338 December 23, 2008


GARCILLANO VS. HOUSE OF REPRESENTATIVES
GR 170338 December 23, 2008

Not effective Publication of Laws

FACTS:

In 2005, tapes which allegedly contained a conversation between GMA and COMELEC Commissioner Garcillano surfaced. The said conversation contained a plan to rig the elections to favor GMA. The recordings then became subject to legislative hearings conducted separately by each House. In his privilege speech, Sen. Escudero motioned a congressional investigation jointly conducted by the Committees on Public Information, Public Order and Safety, National Defense and Security, Information and Communications Technology, and Suffrage and Electoral Reforms (respondent House Committees). During the inquiry, several versions of the wiretapped conversation emerged. Lacson’s motion for a senate inquiry was referred to the Committee on National Defense and Security headed by Biazon. Garci subsequently filed to petitions. One to prevent the playing of the tapes in the each house for they are alleged to be inadmissible and the other to prohibit and stop the conduct of the Senate inquiry on the wiretapped conversation.
ISSUE: 

Whether or not publication is indispensable.

HELD: 

Yes. Garci’s petition to strike the tapes off the record cannot be granted. The tapes were already played in Congress and those tapes were already highly publicized. The issue is already overtaken by these incidents hence it has become moot and academic. The second petition must be granted however. The Senate cannot be allowed to continue with the conduct of the questioned legislative inquiry without duly published rules of procedure, in clear derogation of the constitutional requirement.
Section 21, Article VI of the 1987 Constitution explicitly provides that “[t]he Senate or the House of Representatives, or any of its respective committees may conduct inquiries in aid of legislation in accordance with its duly published rules of procedure.” The requisite of publication of the rules is intended to satisfy the basic requirements of due process. Publication is indeed imperative, for it will be the height of injustice to punish or otherwise burden a citizen for the transgression of a law or rule of which he had no notice whatsoever, not even a constructive one. What constitutes publication is set forth in Article 2 of the Civil Code, which provides that “laws shall take effect after 15 days following the completion of their publication either in the Official Gazette, or in a newspaper of general circulation in the Philippines.”
The Senate admits in their pleadings and even on oral argument that the Senate Rules of Procedure Governing Inquiries in Aid of Legislation had been published in newspapers of general circulation only in 1995 and in 2006. With respect to the present Senate of the 14th Congress, however, of which the term of half of its members commenced on June 30, 2007, no effort was undertaken for the publication of these rules when they first opened their session.

ZALDY NUEZ, complainant, vs. ELVIRA CRUZ-APAO, respondent.


ZALDY NUEZ vs. ELVIRA CRUZ-APAO
[A.M. No. CA-05-18-P.  April 12, 2005]

FACTS:

This is an administrative case for Dishonesty and Grave Misconduct against Elvira Cruz-Apao (Respondent), Executive Assistant II of the Acting Division Clerk of Court of the Fifteenth (15th) Division, Court of Appeals (CA). The complaint arose out of respondent’s solicitation of One Million Pesos (P1,000,000.00) from Zaldy Nuez (Complainant) in exchange for a speedy and favorable decision of the latter’s pending case in the CA, more particularly, CA-G.R. SP No. 73460 entitled “PAGCOR vs. Zaldy Nuez.”
Allegedly, complainant thought that respondent would be able to advise him on how to achieve an early resolution of his case.
However, a week after their first telephone conversation, respondent allegedly told complainant that a favorable and speedy decision of his case was attainable but the person who was to draft the decision was in return asking for One Million Pesos (P1,000,000.00).
Complainant expostulated that he did not have that kind of money since he had been jobless for a long time, to which respondent replied, “Eh, ganoon talaga ang lakaran dito, eh. Kung wala kang pera, pasensiya na.”  Complainant then tried to ask for a reduction of the amount but respondent held firm asserting that the price had been set, not by her but by the person who was going to make the decision. Respondent even admonished complainant with the words “Wala tayo sa palengke iho! when the latter bargained for a lower amount.
Complainant then asked for time to determine whether or not to pay the money in exchange for the decision. Instead, in August of 2004, he sought the assistance of Imbestigador. The crew of the TV program accompanied him to PAOCCF-SPG where he lodged a complaint against respondent for extortion.
On 24 September 2004, complainant and respondent met for the first time in person at the 2nd Floor of Jollibee, Times Plaza Bldg., the place where the entrapment operation was later conducted.  Patricia Siringan (Siringan), a researcher of Imbestigador, accompanied complainant and posed as his sister-in-law. During the meeting, complainant clarified from respondent that if he gave the amount of One Million Pesos (P1,000,000.00), he would get a favorable decision. This was confirmed by the latter together with the assurance that it would take about a month for the decision to come out. Respondent also explained that the amount of One Million Pesos (P1,000,000.00) guaranteed a favorable decision only in the CA but did not extend to the Supreme Court should the case be appealed later. When respondent was asked where the money will go, she claimed that it will go to a male researcher whose name she refused to divulge. The researcher was allegedly a lawyer in the CA Fifth (5th) Division where complainant case was pending. She also claimed that she will not get any part of the money unless the researcher decides to give her some.
Complainant, respondent and Siringan negotiated for almost one hour. Complainant and Siringan bargained for a lower price but respondent refused to accede.  When respondent finally touched the unsealed envelope to look at the money inside, the PAOCTF agents converged on her and invited her to the Western Police District (WPD) Headquarters at United Nations Avenue for questioning. Respondent became hysterical as a commotion ensued inside the restaurant. She called Atty. Lilia Mercedes Encarnacion Gepty (Atty. Gepty), her immediate superior in the CA at the latter’s house. She tearfully confessed to Atty. Gepty that “she asked for money for a case and was entrapped by police officers and the media.” Enraged at the news, Atty. Gepty asked why she had done such a thing to which respondent replied, “Wala lang ma’am, sinubukan ko lang baka makalusot.” Respondent claimed that she was ashamed of what she did and repented the same.  She also asked for Atty. Gepty’s forgiveness and help. The latter instead reminded respondent of the instances when she and her co-employees at the CA were exhorted during office meetings never to commit such offenses.[
Atty. Gepty rendered a verbal report of her conversation with their division’s chairman, Justice Martin S. Villarama.  She reduced the report into writing and submitted the same to then PJ Cancio Garcia on 29 September 2004.

ISSUE:
            Whether or not text messages admitted would violate right to privacy of the accused.

HELD:

            No.  The text messages were properly admitted by the Committee since the same are now covered by Section 1(k), Rule 2 of the Rules on Electronic Evidence which provides:

“Ephemeral electronic communication” refers to telephone conversations, text messages . . . and other electronic forms of communication the evidence of which is not recorded or retained.”
Under Section 2, Rule 11 of the Rules on Electronic Evidence, “Ephemeral electronic communications shall be proven by the testimony of a person who was a party to the same or who has personal knowledge thereof . . . .” In this case, complainant who was the recipient of said messages and therefore had personal knowledge thereof testified on their contents and import.  Respondent herself admitted that the cellphone number reflected in complainant’s cellphone from which the messages originated was hers. Moreover, any doubt respondent may have had as to the admissibility of the text messages had been laid to rest when she and her counsel signed and attested to the veracity of the text messages between her and complainant. It is also well to remember that in administrative cases, technical rules of procedure and evidence are not strictly applied. We have no doubt as to the probative value of the text messages as evidence in determining the guilt or lack thereof of respondent in this case.
WHEREFORE, premises considered, respondent Elvira Cruz-Apao is found GUILTY.


VIDALLON-MAGTOLIS VS. SALUD A.M. No. CA-05-20-P


VIDALLON-MAGTOLIS VS. SALUD
A.M. No.  CA-05-20-P
September 9, 2005

AS AGAINST RIGHTS OF PRIVACY

Cielito Salud, Clerk IV, Mailing Section of the Judicial Records Division, Court of Appeals (CA) stands charged with the following offenses:

1.      Inefficiency and incompetence in the performance of official duties;
2.      Conduct grossly prejudicial to the best interest of the service; and
3.      Directly or indirectly having financial and material interest in an official transaction, under Section 22, paragraphs (p), (t) and (u), Rule XIV of the Omnibus Rules Implementing the Civil Service Law.


Facts:
  
Melchor Lagua was found guilty of homicide in Criminal Case Nos. 118032-H and 118033-H before the Regional Trial Court of Pasig City. On appeal, the case was assigned to the Sixth Division of the Court of Appeals, docketed as CA-G.R. CR No. 27423. Lagua, who was then detained at the Bureau of Prisons National Penitentiary in Muntinlupa City, filed a Very Urgent Petition for Bail. Finding the petition well-taken, the appellate court issued a Resolution on October 9, 2003, directing him to post a P200,000.00 bond.
  
Irma Del Rosario, Utility Worker, noticed the respondent’s unusual interest in the Lagua case. The respondent had apparently been making inquiries whether the appellate court had already directed the issuance of an order of release in the said case and was initially told there was none yet. Due to his persistence, the records of the case were eventually found. Atty. Madarang then directed the typing of the Order of Release Upon Bond,and to notify the mailing section that there were orders requiring personal service. At around 4:00 p.m., the respondent then went to Atty. Madarang’s office and assisted in arranging and stapling the papers for release. He brought the said resolutions and other papers himself to the Mailing Section.

On November 7, 2003, the respondent went to the National Penitentiary to serve the resolution and order of release in the Lagua case. The respondent left the prison compound at around 2:30 p.m. In the meantime, Atty. Madarang received a telephone call from a certain Melissa Melchor, who introduced herself as Lagua’s relative. It was about 2:00 p.m. The caller asked her how much more they had to give to facilitate Lagua’s provisional liberty. The caller also told Atty. Madarang that they had sought the help of a certain Rhodora Valdez of the Regional Trial Court (RTC) of Pasig, where the criminal case originated, but were told that they still had a balance to be given to Justice Magtolis and Atty. Madarang through the respondent. Atty. Madarang then called the said court and asked to speak to Ms. Valdez, pretending to be Lagua’s relative.

On November 11, 2003, Justice Magtolis called the respondent to her office. When confronted, the respondent denied extorting or receiving money for Lagua’s release, or in any other case. He, however, admitted serving the copies of resolution and order of release intended for Lagua and his counsel to Art Baluran. Justice Magtolis then called the respondent to a meeting with Clerk of Court Atty. Tessie L. Gatmaitan, who stated that she would transfer the respondent to another office which has nothing to do with cases.

Justice Magtolis lodged the complaint against the respondent in a Letter dated November 14, 2003, containing, among others, the following allegations:
The delivery of resolutions/orders to unauthorized persons and “complete strangers” who promised to “take care thereof” (“siya na raw ang bahala”) constitutes not only neglect of duty but also conduct prejudicial to the best interest of the service. Staying for the whole day within the vicinity of the National Bilibid Prisons to the point of failing to fulfill his other duties for the day constitutes inefficiency and incompetence in the performance of official duties. On the other hand, the use of my name and that of our Division Clerk of Court to illegally solicit financial or material benefit from parties with pending cases before this Court is illegal per se.

In view of the foregoing, it is respectfully requested that Cielito Salud be subjected to an administrative investigation and disciplinary action.
           
         
In his counter-affidavit, the respondent vehemently denied the charges. He never demanded money from Lagua’s relative; his name had been used by someone and was, thus, a mere victim of the circumstances. Moreover, the fact that he immediately released the CA order in question was clear proof that he had no financial interest in the transaction.
As pointed out by the Investigating Officer, the respondent’s claim of “joking around” (“nakipaglokohan”) with an unknown sender of a text message by replying thereto is contrary to a normal person’s reaction. This is made even more apparent by the fact that the respondent even admitted that he called Atty. Madarang twice, and when asked why, gave a vague answer, and, when further questioned, even broke down in tears.

Issue:

            Whether or not admission of text messages is a violation of right to privacy.  





Held:
No.
… The text messages were properly admitted by the Committee since the same are now covered by Section 1(k), Rule 2 of the Rules on Electronic Evidence, which provides:

“Ephemeral electronic communication” refers to telephone conversations, text messages … and other electronic forms of communication the evidence of which is not recorded or retained.”

Under Section 2, Rule 11 of the [said rules], “Ephemeral electronic communications shall be proven by the testimony of a person who was a party to the same or who has personal knowledge thereof … .” In this case, complainant who was the recipient of the said messages and therefore had personal knowledge thereof testified on their contents and import. Respondent herself admitted that the cellphone number reflected in complainant’s cellphone from which the messages originated was hers. Moreover, any doubt respondent may have had as to the admissibility of the text messages had been laid to rest when she and her counsel signed and attested to the veracity of the text messages between her and complainant. It is also well to remember that in administrative cases, technical rules of procedure and evidence are not strictly applied. We have no doubt as to the probative value of the text messages as evidence in determining the guilt or lack thereof of respondent in this case. 

The respondent’s actuations fall short of the standard required of a public servant. He is guilty of gross or grave misconduct. Misconduct is a transgression of some established and definite rule of action, a forbidden act, a dereliction from duty, unlawful behavior, willful in character, improper or wrong behavior, while “gross,” has been defined as “out of all measure; beyond allowance; flagrant; shameful; such conduct as is not to be excused.”Under the Omnibus Civil Service Rules and Regulations, grave misconduct is punishable by dismissal from the service even for the first offense, as it is classified as a grave offense. However, considering that the respondent has not been previously charged nor administratively sanctioned, the Court finds that a penalty of suspension for one year and six months will serve the purpose of disciplining the respondent.

Court personnel, from the lowliest employee to the clerk of court or any position lower than that of a judge or justice, are involved in the dispensation of justice, and parties seeking redress from the courts for grievances look upon them as part of the Judiciary. They serve as sentinels of justice, and any act of impropriety on their part immeasurably affect the honor and dignity of the Judiciary and the people’s confidence in it. Thus, any conduct which tends to diminish the image of the Judiciary cannot be countenanced.

IN LIGHT OF ALL THE FOREGOING, respondent Cielito M. Salud is found GUILTY .

RUSTAN ANG y PASCUA, vs. COURT OF APPEALS and IRISH SAGUD GR No. 182835



RUSTAN ANG y PASCUA, vs. COURT OF APPEALS and IRISH SAGUD
GR No. 182835

Nature: Rules on Electronic Evidence

Facts

Irish Sagud and Rustan were classmates at Wesleyan University in Aurora. They became “on-and-off” sweethearts towards the end of 2004. Irish learned that Rustan had taken a live-in partner (now his wife), whom he had gotten pregnant. Irish broke up with Rustan.
Before Rustan got married, he tried to convince Irish to elope with him. Irish rejected the proposal. Irish changed her cellphone number but Rustan managed to get hold of it and sent her text messages. Rustan used two cellphone numbers. Irish to ask him to leave her alone.
Irish received a multimedia message service (MMS) a picture of a naked woman with spread legs and with Irish’s face superimposed on the figure. The sender was 0921-8084768, one of the numbers that Rustan used. Irish got other text messages from Rustan. He boasted that it would be easy for him to create similarly scandalous pictures of her. And he threatened to spread the picture through the internet.
Irish sought the help of the vice mayor of Maria Aurora who referred her to the police. Under police supervision, Irish contacted Rustan through the cellphone numbers he used. Irish asked Rustan to meet her at a resort. When Rustan was walking towards Irish, police officers intercepted and arrested him. They searched him and seized his cellphone and several SIM cards.
Rustan admitted having courted Irish. He claimed that after their relation ended, Irish wanted reconciliation. Sometime later, Rustan got a text message from Irish, asking him to meet her at as she needed his help in selling her cellphone. When he arrived at the place, two police officers approached him, seized his cellphone and the contents of his pockets, and brought him to the police station.
Rustan further claims that Irish asked him to help her identify a prankster who was sending her malicious text messages. Rustan got the sender’s number and, pretending to be Irish, contacted the person. Rustan claims that he got back obscene messages from the prankster, which he forwarded to Irish from his cellphone. This is why the obscene messages appeared to have originated from him. Rustan claims that it was Irish herself who sent the obscene picture to him. He presented six pictures of a woman whom he identified as Irish.
RTC found Rustan guilty of the violation of Section 5(h) of R.A. 9262. On appeal CA affirm the RTC decision.

Issue:
Whether or not electronic evidence will apply to criminal cases.  




Held:
Yes. Pursuant to A.M. No. 01-7-01-SC issued on 24 September 2002, Section 2 Rule 1 of the Rules on Electronic Evidence was amended to read as follows:
SEC. 2 Cases covered. – These Rules shall apply to the criminal and civil actions and proceeding, as well as quasi-judicial and administrative cases.

EMMANUEL B. AZNAR v. CITIBANK, N.A., (Philippines) G.R. No. 164273


EMMANUEL B. AZNAR v. CITIBANK, N.A.,
(Philippines)
G.R. No. 164273

NATURE: CERTIORARI

Facts:

Aznar, a known businessman in Cebu, is a holder of a preferred Mastercard issued by Citibank with a credit limit of P150,000.00. As he and his wife, Zoraida, planned to take their two grandchildren, on an Asian tour, Aznar made a total advance deposit of P485,000.00 with Citibank with the intention of increasing his credit limit to P635,000.00. With the use of his Mastercard, Aznar purchased plane tickets to Kuala Lumpur for his group worth P237,000.00.

During the trip, Aznar claims that when he presented his Mastercard in some establishments in Malaysia, Singapore and Indonesia, the same was not honoured and when he tried to use the same in Ingtan Tour and Travel Agency (Ingtan Agency) in Indonesia to purchase plane tickets to Bali, it was again dishonored for the reason that his card was blacklisted by Citibank. Such dishonor forced him to buy the tickets in cash. Aznar filed a complaint for damages against Citibank, claiming that Citibank fraudulently or with gross negligence blacklisted his Mastercard which forced him, his wife and grandchildren to abort important tour destinations and prevented them from buying certain items in their tour. He further claimed that he suffered mental anguish,
serious anxiety, wounded feelings, besmirched reputation and social humiliation due to the wrongful blacklisting of his card

To prove that Citibank blacklisted his Mastercard, Aznar presented a computer print-out, denominated as ON-LINE AUTHORIZATIONS FOREIGN ACCOUNT
ACTIVITY REPORT, issued to him by Ingtan Agency  which shows that his card in question was "DECL OVERLIMIT" or declared over the limit. Citibank denied the allegation that it blacklisted Aznar’s card. To prove that they did not blacklist
Aznar’s card, Citibank’s Credit Card Department Head, Dennis Flores, presented Warning Cancellation Bulletins, which contained the list of its canceled cards covering the period of Aznar’s trip. Aznar’s wasn’t in the list.

RTC of Cebu dismissed Aznar’s complaint for lack of merit and held that as between the computer print-out presented by Aznar and the Warning Cancellation Bulletins presented by Citibank, the latter had more weight as their due execution and authenticity were duly established by Citibank.Also held that even if it as shown that Aznar’s credit card was dishonored by a merchant establishment, Citibank was not shown to have acted with malice or bad faith when the same was
dishonored.

Aznar filed a MFR with motion to re-raffle the case saying that Judge Marcos could not be impartial as he himself is a holder of a Citibank credit card. The case was re-raffled with the new judge granting Aznar’s MR saying that it was improbable that a man of Aznar’s
stature would fabricate the computer print-out which shows that Aznar’s Mastercard was dishonored for the reason that it was declared over the limit; Exh. "G" was
printed out by Nubi in the ordinary or regular course of business in the modern credit card industry and Nubi was not able to testify as she was in a foreign country and cannot be reached by subpoena; taking judicial notice of the practice of automated teller machines (ATMs) and credit card facilities which readily print out bank account status, Exh. "G" can be received as prima facie evidence of the dishonor of Aznar’s Mastercard; no rebutting evidence was presented by Citibank to prove that Aznar’s Mastercard was not dishonored, as all it proved was that said credit card was not included in the blacklisted cards; when Citibank accepted the additional deposit of P485,000.00 from Aznar, there was an implied novation and Citibank was obligated to increase Aznar’s credit limit and ensure that Aznar will not encounter any embarrassing situation with the use of his Mastercard; Citibank’s failure to comply with its obligation constitutes gross negligence as it caused Aznar inconvenience, mental anguish and social humiliation; the fine prints in the flyer of the credit card limiting the liability of the bank to P1,000.00 or the actual damage proven, whichever is lower, is a contract of adhesion which must be interpreted against Citibank.

Citibank filed an appeal with the CA and its counsel filed an administrative case against Judge De la Peña for grave misconduct, gross ignorance of the law and incompetence, claiming among others that said judge rendered his decision without having read the
transcripts. The administrative case was held in abeyance pending the outcome of the appeal filed by Citibank with the CA.

CA ruled that: Aznar had no personal knowledge of the blacklisting of his card and only presumed the same when it was dishonored in certain establishments; such dishonor is not sufficient to prove that his card was blacklisted by Citibank; Exh. "G" is an electronic
document ,which must be authenticated pursuant to Sec. 2, Rule 5 of the Rules on Electronic Evidence or under Sect.20 of Rule 132 of the Rules of Court by anyone who saw the document executed or written; Aznar, however, failed to prove the authenticity of Exh. "G", thus it must be excluded; the unrefuted testimony of Aznar that his credit card was dishonored by Ingtan Agency and certain establishments abroad is not sufficient to justify the award of damages in his favor, absent any showing that Citibank had anything to do with the said dishonor; Citibank had no absolute control over the actions of its merchant affiliates, thus it should not be held liable for the dishonor of Aznar’s credit card by said establishments.

Aznar’s MR was denied by the CA.
As regards the admin case, J. Dela Pena was adjudged
guilty.

MCC v. Ssangyong (October 17, 2007)


MCC v. Ssangyong (October 17, 2007)
GR 164273
Nature: Rules on Electronic Evidence

Facts:
Petitioner MCC Industrial Sales (MCC), a domestic corporation with office at Binondo, Manila, is engaged in the business of importing and wholesaling stainless steel products. One of its suppliers is the Ssangyong Corporation (Ssangyong), an international trading company with head office in Seoul, South Korea and regional headquarters in Makati City, Philippines. The two corporations conducted business through telephone calls and facsimile or telecopy transmissions. Ssangyong would send the pro forma invoices containing the details of the steel product order to MCC; if the latter conforms thereto, its representative affixes his signature on the faxed copy and sends it back to Ssangyong, again by fax.
Due to the failure of MCC to put up a Letter of Credit, Ssangyon sued MCC in the RTC. After Ssangyong rested its case, defendants filed a Demurrer to Evidence alleging that Ssangyong failed to present the original copies of the pro forma invoices on which the civil action was based. In an Order dated April 24, 2003, the court denied the demurrer, ruling that the documentary evidence presented had already been admitted in the December 16, 2002 Order and their admissibility finds support in Republic Act (R.A.) No. 8792, otherwise known as the Electronic Commerce Act of 2000. Considering that both testimonial and documentary evidence tended to substantiate the material allegations in the complaint, Ssangyong's evidence sufficed for purposes of a prima facie case. RTC ruled in favor of Ssangyong, so did the CA.
Issue:
Whether the print-out and/or photocopies of facsimile transmissions are electronic evidence and admissible as such;
Held
Although the parties did not raise the question whether the original facsimile transmissions are "electronic data messages" or "electronic documents" within the context of the Electronic Commerce Act (the petitioner merely assails as inadmissible evidence the photocopies of the said facsimile transmissions), we deem it appropriate to determine first whether the said fax transmissions are indeed within the coverage of R.A. No. 8792 before ruling on whether the photocopies thereof are covered by the law. In any case, this Court has ample authority to go beyond the pleadings when, in the interest of justice or for the promotion of public policy, there is a need to make its own findings in order to support its conclusions.
R.A. No. 8792, otherwise known as the Electronic Commerce Act of 2000, considers an electronic data message or an electronic document as the functional equivalent of a written document for evidentiary purposes. The Rules on Electronic Evidence regards an electronic document as admissible in evidence if it complies with the rules on admissibility prescribed by the Rules of Court and related laws, and is authenticated in the manner prescribed by the said Rules. An electronic document is also the equivalent of an original document under the Best Evidence Rule, if it is a printout or output readable by sight or other means, shown to reflect the data accurately. Thus, to be admissible in evidence as an electronic data message or to be considered as the functional equivalent of an original document under the Best Evidence Rule, the writing must foremost be an "electronic data message" or an "electronic document."
According to the deliberations in Congress, when Congress formulated the term "electronic data message," it intended the same meaning as the term "electronic record" in the Canada law. This construction of the term "electronic data message," which excludes telexes or faxes, except computer-generated faxes, is in harmony with the Electronic Commerce Law's focus on "paperless" communications and the "functional equivalent approach"that it espouses. In fact, the deliberations of the Legislature are replete with discussions on paperless and digital transactions. Facsimile transmissions are not, in this sense, "paperless," but verily are paper-based.
Accordingly, in an ordinary facsimile transmission, there exists an original paper-based information or data that is scanned, sent through a phone line, and re-printed at the receiving end. Be it noted that in enacting the Electronic Commerce Act of 2000, Congress intended virtual or paperless writings to be the functional equivalent and to have the same legal function as paper-based documents. Further, in a virtual or paperless environment, technically, there is no original copy to speak of, as all direct printouts of the virtual reality are the same, in all respects, and are considered as originals. Ineluctably, the law's definition of "electronic data message," which, as aforesaid, is interchangeable with "electronic document," could not have included facsimile transmissions, which have an original paper-based copy as sent and a paper-based facsimile copy as received. These two copies are distinct from each other, and have different legal effects. While Congress anticipated future developments in communications and computer technology when it drafted the law, it excluded the early forms of technology, like telegraph, telex and telecopy (except computer-generated faxes, which is a newer development as compared to the ordinary fax machine to fax machine transmission), when it defined the term "electronic data message."
We, therefore, conclude that the terms "electronic data message" and "electronic document," as defined under the Electronic Commerce Act of 2000, do not include a facsimile transmission. Accordingly, a facsimile transmission cannot be considered as electronic evidence. It is not the functional equivalent of an original under the Best Evidence Rule and is not admissible as electronic evidence.
Since a facsimile transmission is not an "electronic data message" or an "electronic document," and cannot be considered as electronic evidence by the Court, with greater reason is a photocopy of such a fax transmission not electronic evidence. In the present case, therefore, Pro Forma Invoice Nos. ST2-POSTS0401-1 and ST2-POSTS0401-2, which are mere photocopies of the original fax transmittals, are not electronic evidence, contrary to the position of both the trial and the appellate courts.

Friday, August 31, 2012

Fan Art/Story: Is it legal in the Philippines?




Fan Art Defined

Wikipedia defined Fan Art as artwork that is based on a charactercostumecollage, item, or story that was created by someone other than the artist, such as a fan, from which the word is derived from. The term, while it can apply to art done by fans of characters from books, is usually used to refer to art derived from visual media such as comics, movies or video games. In addition to traditional paintings and drawings, fan artists may also create web banners, avatars, or web-based animations, as well as photo collages, posters, and artistic representation of movie/show/book quotes.

Usually, it refers to fan labor artworks by amateur artists, or artists who are unpaid for their fan creations—so that, for example, professional comic adaptations of the Star Wars films would not be considered fan art while a version done by an unaffiliated fan would be. The distinctions here cannot always be finely drawn and the actual status of particular works can often fall into a gray area.

Fan Art, which can be singular or plural, refer to graphic representations of various media forms that have numerous fans. Many types of fanart exist, and they are similar to fanlit. In fanlit, people write stories, plays, or screenplays about characters or worlds that have already been created. As the name fan suggests, those who are significant fans of a certain character, show, fictional world or the like usually produce this work. With fanart, instead of writing, artists usually paint, draw, or use other graphic forms to copy, represent, explore or extend the life of a created character or world.
There are many examples of fan art, and these may start when kids are little and want to draw their favorite cartoon character. Those gifted in art may learn exactly how to draw or recreate something beloved from a comic book, TV show, video game or movie. One common area of fanart is reproductions of art based on Japanese manga and on anime. People may use a combination of drawing and writing to create further adventures of a comic book character.
In addition to art inspired by manga or anime of Japan, very popular books and movies tend to be the inspiration for tons of fanart. For instance, the Harry Potter series, Tolkien’s work, the Star Wars series and others can stir up the souls of artists so that they create numerous representations of the characters or world. There are many online sites that feature fanart museums or galleries. Those who complete a piece of art may submit it to these sites for possible inclusion. Usually the only reward is sharing love of a particular fictional thing with others.
Most times, art inspired by created works is not sold. There is generally a distinction between a person who is licensed to create new stories about a favorite character or world, and those who simply do so because they love the characters or world. Usually new people hired to extend the creations of someone else are fans, and have a unique vision of how to proceed. As long as unlicensed fanart isn’t sold, artists usually don’t have to worry about violating copyright laws. This issue can get sticky when people do charge for their artistic works.
Artists who receive licensing or who are contracted to create new art may become inspirational to fan artists too. The work of Alan Lee, which is featured in Peter Jackson’s filmed version of The Lord of the Rings, for instance, is now captured in illustrated copies of Tolkien’s work. There are fan artists who copy Lee’s style or appear to be influenced greatly by it.
Fan Art Has its Own Story: Evolution

Previously, a fan artist was anyone who drew for a genre because they were a fan of the genre rather than a professional employed to create art for the genre. In the earlier years artists like Wendy (Fletcher) Pini, who produced amateur original fantasy art for fanzines, would be deemed a “fan artist” because she produced art for genre she was fan of. While an fan artist could make fan art for any genre, generally the most common were the science fiction and fantasy genres.

However, in modern usage, the word “fan art” means any amateur art for a specific TV show, movie, book, or other media event not owned or created by the artist. Original genre art is generally no longer considered “fan art.”

Technically, the term "fan art" encompasses art in every medium just as the word "art" does, including but not limited to drawing, painting, sculpture, photography, photo manipulationvideos, crafts, textiles, metal smithing, and fashion. Within these broad media types, fanart has also created types of art almost specific to itself, such as icons. Colloquially, fan art most commonly refers to the art for a series that is drawn or painted either traditionally or digitally. However, colloquial use can also be dependent on the fandom. For example, in a fandom where photo manipulation is the dominant form of art, "fan art" for the fandom often implies "photo manipulation" not traditional art.

Does a Fan Art violate Copyright?

The ability to create fan art is vital to comic artists both as a means of practicing to improve skill, but also to make money at conventions by drawing commissions for fans. When a particular art is copyrighted, which means that only the author/rights holder  has the right to copy, display, distribute, and create derivative works. Fan art can be considered a derivative work, therefore most fan art is an infringement of the holder’s copyright.

BUT, copyright law has a doctrine called “fair use” that (in the name of free speech) protects certain uses that would otherwise be an infringement. To find protection in fair use, a second work must be an artistically transformative use of the first, not have a great economic impact on the first, and not take too much of the first. A good piece of fan art is very transformative, giving us a new vision of a familiar character, so that factor could benefit the artist. The amount taken would probably not favor the artist, because one of the considerations is if the “core” elements are copied, which most fan art does.

The practice is common, but is it legal? The short answer is a qualified maybe, which is about as good as you can get from a lawyer without specific facts. I think most artists are safe, but each situation will be different, depending on distinct situations, looking the facts of the actual work.

Does it violate trademark?

Protection in the trademark realm covers the right to claim you are the rightful source of a good. Trademarks are violated when a second party markets goods in such a way that the consuming public could believe they are buying from the first party. Trademarks usually protect words or phrases and company logos, but can also extend to packaging (called trade dress). Fan art should not ordinarily violate trademark if the artist makes no claim to be associated with the trademark holder and is not marketing his or her own version of it.

Suggestions to artists who want to draw original works based on others creations.

1. The more original your work is, the more protected you are. Be creative, that’s why you draw, anyway.

2. Be wary of mass production. The bigger you get, the bigger the target on you.

3. Don’t use the logo or trademarked name. People want the drawing, not the name, so don’t risk it.

What does the Law say?

According to copyright law, copyright holders have the sole right to distribute derivative works based on an original creation. This includes sequels and any other work that includes copyrightable elements from the original creation. If you are an author or an artist and you want to use all or part of someone else's creation in your work, you may run into problems with claims that your art is a derivative work.

Conclusion

Fan fiction and fan art are, usually, an infringement of the right of the copyright holder to prepare and license derivative works based on the original. This is almost without exception. However, many copyright holders, for good reasons, tolerate fan art and even encourage it, but this should not be taken as carte blanche to do what you want with the source material. There are many lines that a fan artist can cross and wind up in legal trouble. The best thing is to study the rules for your community and obey them closely. That is safe to remember that your creations only exist through the good graces of the copyright holder and they can change their mind at any point. If you’re not comfortable with that, then you’re better off creating your own, wholly original work. Not only do you not have the threat of being shut down hanging over you, but you also have the right to exploit the works however you see fit. 


  • Disclaimer
The Information on this blog is for education purposes only. This blog is not legal advice.


1.      ^ http://wiki.xbmc.org/index.php?title=FanArt XBMC FanArt definition
2.   ^ http://www.wisegeek.com/what-is-fanart.htm What is Fanart? - WiseGEEK
3.   ^ http://thetvdb.com/wiki/index.php/Fan_Art thetvdb.com Fan Art definition
4.      ^ http://www.afterellen.com/internet/2009/2/lesbian-fan-art Fan Art Empowers Queer Women
5.       ^ http://fanart.tv/rules/ Fanart.tv Rules